How Is Silk Made? From Silkworm to Fabric

Silk is a natural protein fiber known worldwide for its distinct luster, strength, and smooth texture. The fiber’s unique triangular, prism-like structure allows it to refract light at multiple angles, creating its characteristic sheen. Originating in ancient China, where its production was a closely guarded state secret, silk has been recognized as a symbol of wealth and luxury for millennia. High demand for this exclusive fabric was a primary driver for the establishment of the ancient trade routes known as the Silk Road. It remains a highly valued commodity in modern textile markets due to its combination of elegance, durability, and a soft feel.

Sericulture: Rearing the Silk Producers

The production of most commercial silk begins with the practice of sericulture, the controlled cultivation of the domesticated silkworm, Bombyx mori. These larvae are entirely dependent on humans for survival, having been selectively bred over thousands of years for optimal silk yield. The caterpillars are voracious eaters, feeding almost exclusively on the leaves of the white mulberry tree, which provides the necessary nutrients for silk production.

The life cycle of the silkworm involves four molts, with the larvae growing rapidly during the 45-day feeding period. Once the caterpillar is fully mature, it excretes a continuous filament from its spinneret, which hardens upon contact with air to form the cocoon. This structure is composed of two primary proteins: fibroin, which forms the structural center of the thread, and sericin, a sticky, gummy coating that cements the twin filaments together. The larva typically spins a single continuous thread that can measure up to 915 meters in length.

Preparing the Fiber: Reeling and Degumming

The first mechanical step in harvesting the fiber is stifling, a process that kills the pupa inside the cocoon using heat, such as steam or hot air. This action prevents the developing moth from chewing its way out, which would break the single, long filament into many unusable short pieces. Following stifling, the cocoons undergo a cooking process, usually in hot water, which softens the protective sericin gum.

The softening of the sericin allows the continuous filament to be unwound, a process called reeling. Multiple filaments, typically between three and ten, are combined and drawn together through a small guide hole. The still-softened sericin acts as a natural adhesive, binding these individual filaments into a single, cohesive strand of raw silk thread. This raw silk, still coated with sericin, is sometimes referred to as “hard silk.”

From Thread to Textile: Spinning and Weaving

After reeling, the raw silk moves to the throwing process, where the filaments are twisted to produce yarn with increased strength and elasticity. Throwing is necessary to create different types of yarn, such as highly twisted organzine used for the warp threads in weaving, or less twisted tram used for weft threads. The raw silk may also undergo a process called doubling, where filaments from multiple bobbins are twisted together to achieve the desired thickness and ply.

If the silk consists of broken fibers, or if it is waste from the reeling process, it cannot be thrown as a continuous filament and is instead processed into spun silk. Spun silk is made by carding and spinning the shorter fibers much like cotton or wool, resulting in a yarn that is less lustrous and slightly fuzzier than continuous filament silk. Before or after these twisting steps, the degumming process takes place, where the sericin layer is removed by boiling the silk in a mild alkali solution. This step exposes the triangular fibroin core, giving the finished thread its signature soft texture and brilliant luster, preparing the yarn for the final stages of dyeing and weaving into fabric.

Variations in Silk: Wild and Specialty Fibers

Not all silk is produced under the controlled conditions of sericulture; a notable distinction is “wild silks,” such as Tussah, Eri, and Muga silk. These silks are produced by non-domesticated moth species that feed on a variety of leaves, including oak and castor, rather than the specific mulberry leaf diet. The production method for wild silk differs significantly because the cocoons are often harvested after the moth has already emerged.

The emergence of the moth breaks the continuous filament, meaning that wild silk must be spun from shorter, broken fibers, much like cotton. This difference in both the diet and the harvesting method results in a fiber that is coarser in texture, less uniform, and naturally a darker color, ranging from golden to beige. Due to the presence of mineral deposits and a less uniform structure, wild silks are also generally more difficult to dye compared to the smooth, white fiber of cultivated mulberry silk.